Editor’s Picks: Top 50 songs of 2023 – Part Two

In classic fashion, my personal favourite record from 2023 came out a year ago. Eagle-eyed Instagram followers might’ve noticed too that when it came to the big Spotify Wrapped reveals, my number one song (and quite a few within the top five) were from an album that came out seven years ago! As our reviews man Ben Forrester likes to say though – don’t get it twisted! We bleed new music through and through and 2023 has been a bountiful year for it, so much so that it’s been particularly difficult picking just 50 songs for our regular end of year feature.

But pick we must and pick we have – cataloguing our (or rather, my) favourite tracks of 2023, split into two parts (part one being here!) As ever, these are in alphabetical order rather than a ranking because, after all, it is Christmas time.

Heads up – 2023 was also a big year for us, Birthday Cake For Breakfast celebrating ten years of being a thing – ten years of DIY on the fringes! It’s been quite the decade, so much so that we had shirts made up to celebrate the fact! There’s a handful left if you’re keen (and a medium!)

Minor Conflict – Living Statue
(Bright Lights, Dead City)


One of the hottest debut EPs of 2023 (out mid-year on PRAH Recordings), Bristolian outfit Minor Conflict’s sound is of the POZI and Squid vintage. On the stirring ‘Living Statue‘, heavenly backing vocals and resplendent harp playing combine with a driving rhythm and almost stream of consciousness vocal for invigorating results.

Mock Tudors – Self Assessment
(Self Assessment)


Released on January 31st to tie in with the deadline for filing tax returns, ‘Self Assessment‘ was just one of many brilliant releases from tracksuit wearing Sheffield lads Mock Tudors this year. Fronted by him out of Mr Ben & The Bens, the title track from the EP is a rollicking garage rock rager.

MUMS – 100 Kilos
(Legs)


Skull-crushing trio MUMS returned this year after some time away to once again put the industrial town of Widnes on the map! Return single ‘100 Kilos‘ sounds like just that, a rock solid, heavy as fook fuzz-fest that requires earplugs even with the volume down.

Jalen Ngonda – Come Around and Love Me
(Come Around and Love Me)


It doesn’t seem right that London based, American soul musician Jalen Ngonda is younger than me, given that ‘Come Around and Love Me‘ (the title track from his new album) sounds like a classic unearthed from 50 years ago. Ngonda has a timeless voice that really elevates this delectable cut from his debut LP, out now via Daptone Records.

Objections – BSA Day
(BSA Day / Better Luck Next Time)


The second release this year from tastemakers Wrong Speed Records (Hey Colossus), Objections brings together members of Bilge Pump and Nape Neck, with ‘BSA Day‘ being their debut release. What a stonking debut it is too, the earworm vocals of Claire Adams soaring over the crunchy instrumental. A full length album is due to follow in 2024!

Office Dog – Big Air
(Spiel)


An undeniable favourite from this year, the thumping ‘Big Air‘ just stirs up something within us. Maybe it’s the hazy, almost slacker vocals of Kane Strang in contrast to the energy of the music, or the musical concoction that sounds like a combination of Jimmy Eat World with Meat Wave and the theme tune from ‘Peep Show‘. Whatever it is, it’s had us suckered in all year.

Omni – Exacto
(Souvenir)


Man, it’s good to have Omni back on these pages. The Atlanta, GA, based trio recently announced the release of a forthcoming new album – their second for Sub Pop (fourth overall) and the follow up to ‘Networker‘ from 2019. ‘Exacto‘ perfectly captures that infectious blend of sparkling post-punk they’ve been mastering since the release of their debut album, ‘Deluxe‘.

OSEES – INTERCEPTED MESSAGE
(INTERCEPTED MESSAGE)


Whilst closing track ‘LADWP Hold‘ is *thee* best song of the year (literally just the infamous hold music we all know and love), the title track from the latest OSEES record (at the time of writing, anyhoo) was an unexpected gear shift from the band after their prior hardcore punk record (‘A Foul Form‘), frontman Dwyer leading the band into wackier, synth territory. Into it!

PACKS – Laughing Til I Cry
(Crispy Crunchy Nothing)


Throughout 2023, we’ve encountered PACKS on a number of occasions and ears have collectively pricked up every time. ‘Laughing Til I Cry‘ was an early favourite, finding ourselves taken in by the woozy, tripped-out style of vocalist Madeline Link, reminiscent of early Mac DeMarco.

Pardoner – Are You Free Tonight?
(Peace Loving People)


Commenting earlier in the year that ‘Are You Free Tonight?‘ features one of the best halftime switch-ups this side of Parquet CourtsAlmost Had to Start a Fight / In and Out of Patience‘, the flip is switched from a twinkling Kiwi Jr. style affair to a full-pelt, snotty punk thrash-through in its short two minutes.

Personal Trainer – The Feeling


A year on from the release of their stunner debut album ‘Big Love Blanket‘, Personal Trainer end the year on a high with the news that they’ve just signed to Bella Union! To mark the occasion, the Dutch collective recently released heart-swelling nine minute saga ‘The Feeling‘, which is parts BC:NR, Deliluh and Pavement.

Pest Control – Enjoy The Show


Leeds thrash-heads Pest Control made a real stink this year with the release of their debut album, ‘Don’t Test The Pest‘, loved by just about everyone who fucks with gnarly Metallica riffs. Its follow up, standalone single ‘Enjoy The Show‘, is a proper rad, in-yer-lughole blast of hardcore, packed with gnarly guitar solos, snarled metal vocals and The Big Four vibes aplenty.

Pissed Jeans – No Convenient Apocalypse


With a gruff vocal sounding almost like American soft-lad Alex Jones whenever he’s gone full tilt, Matt Korvette gets blunt on the brutal, noise-rock assault of ‘No Convenient Apocalypse‘, the material funny but actually quite worrying as he laments “We’re screwed!” The latest offering from Pennsylvania formed outfit Pissed Jeans, it’s their first new material in six years!

Rozi Plain – Complicated
(Prize)


The arrival of ‘Prize‘ in early January alleviated some of the winter blues, ten tracks that provided a real warming treat to start off the year. On ‘Complicated‘, Rozi Plain has the listener in her palm, the curious lyrics against the hushed instrumental completely captivating from the off.

Public Body – Driven By Data
(Big Mess)


Another year, another Public Body entry on our annual list chronicling the best new music out there. This lot delivering the goods, always. From their first full length album proper, the frantic ‘Driven By Data‘ flies by in a whirlwind of DEVO style synth-attack.

Say She She – C’est Si Bon
(Silver)


Don’t be fooled – this did come out in 2023, rather than fifty years ago! A glitterball disco delight that’s had us hooked since mid-year, ‘C’est Si Bon‘ is an unreal funk-fest from Brooklyn based trio Say She She. Impossible not to smile – or move your feet for that matter – during its near four minutes running.

Screaming Females – Brass Bell
(Desire Pathway)


Before knocking it on the head at the end of the year (following 18 years together), New Jersey trio Screaming Females kicked off January with the stonking ‘Brass Bell‘, lead single from their eighth (and final) studio album ‘Desire Pathway‘. Packed on heavy with ripper guitar parts and wall-crumbling vocals from Marissa Paternoster, it was an instant smash.

Snooper – Pod
(Super Sn​õ​õ​per)


Following a run of unmissable singles and EPs over the past few years, Nashville’s Snooper – fronted by vocalist Blair Tramel and guitarist Connor Cummins – finally released their hotly tipped debut album in 2023. From it, the hyperactive speed-punk of ‘Pod‘ provided untold thrills, a head-spinning dance-a-thon to play over and over again.

Stuck – The Punisher
(Freak Frequency)


With a sound not too dissimilar to fellow Chicagoans Meat Wave, this year saw Stuck release their second album, ‘Freak Frequency‘, a follow up to the brilliant ‘Change Is Bad‘ released in deepest, darkest Covid times. ‘The Punisher‘ paces ahead, fuelled by jagged guitar, chest-thumping drums, sax flourishes and an increasingly worked up vocal from Greg Obis. 2024 will see the Chicago base outfit on EU/UK soil, with unmissable shows pencilled in!

SUDS – My Own Mind
(In The Undergrowth)


A new discovery and subsequent highlight from 2000 Trees Festival this year, Norwich’s SUDS had a big 2023, signing to tastemaker label Big Scary Monsters and releasing their debut album, ‘The Great Overgrowth‘. Prior to that, the quartet put out their debut EP ‘In The Undergrowth‘ and from it, ‘My Own Mind‘ blew us away, sounding like Julia Jacklin if she was backed by a midwest emo band…

Sweeping Promises – You Shatter
(Good Living Is Coming For You)


A Sub Pop album debut for Sweeping Promises this year and rightly so, after their debut album ‘Hunger for a Way Out‘ well and truly captivated us on release in 2020. From ‘Good Living Is Coming For You‘, ‘You Shatter‘ is a brooding, ice-cold post-punk statement from the dynamite pairing of Lira Mondal and Caufield Schnug, sounding like an authentic artefact from the 80s, brought to life in our year of the lord 2023.

Terry – Golden Head
(Call Me Terry)


Five years on from the release of their last record, the brilliant ‘I’m Terry‘, cowboy hat sporting Aussie quartet Terry made our year by once again gracing us with their presence. ‘Golden Head‘ is a lovely number – dig the four-way vocal which, when coupled with the strings, have a touch of the melancholy about them.

Ulrika Spacek – The Sheer Drop
(Compact Trauma)


Initially shelved during the pandemic (for obvious reasons), ‘Compact Trauma‘, the latest record from Londoners Ulrika Spacek, became an early favourite for 2023. Opener ‘The Sheer Drop‘ sets the tone perfectly, opening on its quirky synth intro before jangly guitar leads the listener into spellbinding transcendence.

USA Nails – Feel Worse
(Feel Worse)


USA Nails
waited for the vinegar strokes of 2023 to release their new single ‘Feel Worse‘, but it was worth the wait, coupled with the news that it would be taken from a forthcoming album of the same name and would be their label debut for One Little Independent Records! As they always do, the quartet smash it from the off with their lead single – a thunderous, rib-rattler, full of bite that sounds as vital as ever.

Wombo – Slab
(Slab EP)


Having wowed us 100% with the massive 2021 single ‘Dreamsickle‘, Kentucky trio Wombo returned in 2023 with a three-track EP to coincide with a UK/EU tour. From the EP, its title track showcases what they’re all about in the space of 110 seconds – dynamite guitar, engrossing basslines and keep-you-on-your-toes drumming.

Like what you see? Why not stick around and check out the other articles and interviews!
Don’t forget to follow Birthday Cake For Breakfast on Facebook, Instagram and Twitter

Live Review: Wombo at YES in Manchester 14 May 2023

It’s Sunday night in Manchester and a sense of relief washes over us as the room downstairs at YES begins to fill up with people. As we neared KO, I had feared a dreaded Sunday night no show might be on the cards, given the upstairs bar was pretty quiet. But for visiting Louisville-based trio Wombo, the Northerners made the effort.

On arrival, bassist and vocalist Sydney Chadwick announced it was not only their first UK tour, but their first time in Manchester too. Whenever there were interactions from them throughout the evening (with the crowd or with the sound guy), they seemed ever so nice and stoked to be out on tour. Chadwick at one point very sweetly told us all about her newly purchased raccoon t-shirt – “I just looked down at him, I was like – oh buddy.

The bass playing of Chadwick was the instant attention grabber for us when discovering Wombo. It sounds particularly pumping live, paired with her effortless vocal. Guitarist Cameron Lowe seemed forever in his own world, often head down, swaying side to side as he fiddled with the guitar and riffed away, really going to town with the whammy bar. Tucked in all the way at the back, mostly in darkness, drummer Joel Taylor kept it together real tight, providing a proper whip-crack pounding on the likes of ‘Sour Sun‘.

The theme of the evening was getting hypnotised when they really locked in with those mega infectious bass lines, whammy bar heavy guitar and controlled clattering from behind the kit. It’s at this level where they sound best, all firing away at speed, the rhythm section propelling things forward whilst the guitar squeals and makes all manner of noises.


Backflip‘ sounded so solid, thundering in with drum and bass – the proper choppy bass part really building it up, before angular guitar work mingled with the ethereal vocals. Loved that shift in pace before the urgent stop from drummer Taylor. They balanced the more noisier, up tempo numbers with a really engaging, almost jazzy slow jam that felt more in tune with a Sunday evening, the vocal of Chadwick sounding almost Laetitia Sadier-esque.

Let’s play ‘Dreamsickle‘.” Suggested Chadwick to her bandmates – the best thing I’d heard all day. Its live outing sure matched up and exceeded our expectations – a song I wanted to hear again immediately after it had ended, having played it over and over again since first hearing it.

The announcement of their last one coincided with the first sip of a newly bought pint. Bugger! It was a doozy mind, vocals almost otherworldly. The dance-y post-punk equivalent of the Amen drum break had shoulders moving throughout the room as guitarist Lowe wigged out and they wrapped things up lickety-split.

When it comes to local tastemakers Now Wave, it’s usually a case of having a band playing down in the basement for the heads, before the regulars catch up with them in the much bigger pink room the next time around. After their Sunday night outing, we’ll no doubt be seeing Wombo upstairs when they make their return up North.

Wombo2

Like what you see? Why not stick around and check out the other articles and interviews!
Don’t forget to follow Birthday Cake For Breakfast on Facebook, Instagram and Twitter

Listening Post – November 2021

As regular as my dog barking me awake every day before 9AM, Birthday Cake For Breakfast has your NEW monthly playlist to tuck into! First of the month, like clockwork.

Featuring everything that’s been tickling our fancy this past month, within these 20 tracks you’ll find new and old, loud and quiet, hard and soft and everything in between. Do yourself a favour – give it a like so you remember it each month and share it with your friends so they can do the same!

Jonathan Richman – You Can’t Talk To The Dude
(I, Jonathan)

No he don’t taste the food, he’s just shovelling it down.’ Yet another wonderful ditty from the ever brilliant Jonathan Richman, rhyming up a storm as is his wont. Continuing our lifelong Richman trip.

Nation of Language – This Fractured Mind
(A Way Forward)

Don’t look forward, look backward! Glittering nostalgic joy on offer from Nation of Language out of Brooklyn, NYC. ‘This Fractured Mind‘ is an energetic delight, calling to mind The Human League and ‘Johnny and Mary‘. Perfect pop.

Mr Ben & the Bens – How Do I Get To You?
(Melody Shed)

Wonderful Autumnal feeling on offer from the latest out of Lancaster’s finest, Mr Ben & the Bens. Crunchy leaves, wrapping up tight, crisp air. Rocking a bit of a timeless feel, one loves those brass bursts!

Wednesday

Wednesday – Handsome Man
(Twin Plagues)

Total slacker jam from North Carolina outfit Wednesday. Brings to mind the feelings we first felt when we fell in love with Milk Teeth all them years ago (before Josh left…) A spine-tingler no doubt, turn this one right up, kid!

Wombo – Dreamsickle
(Keesh Mountain)

Really swish stuff from Kentucky’s own Wombo, the trio letting rip on ‘Dreamsickle‘. The almost dreamlike vocal of Sydney Chadwick compliments the post-punk-ish instrumental perfectly. Joy Division one minute, The Strokes the next, then Omni the next.

Cate Le Bon – Running Away
(Pompeii)

Further Bowie vibes on the latest from the brilliant Cate Le Bon, from her forthcoming new record ‘Pompeii‘. Luscious and warm, ‘Running Away‘ is a welcome return, one which builds upon the splendour of the untouchable album ‘Reward‘.

Tall Ships – Gallop
(Everything Touching)

Lump in the throat territory from a pivotal album in the early days of Birthday Cake For Breakfast, a mid-October morning was sound-tracked quite wonderfully by the fantastic debut album from Tall Ships (RIP). ‘Gallop‘ sounds a lot more relevant almost a decade on from when we first heard it…

We Are Scientists – Contact High
(Huffy)

Boy oh boy, We Are Scientists know how to write a bloody catchy chorus. Whilst they’ve been waffling on about bringing back the bridge ahead of the release of ‘Huffy‘, there’s no denying their knack for penning an anthemic, sing-a-long refrain. Hearts set to burst.

Kit Sebastian – Senden Başka
(Mantra Moderne)

Satisfyingly 60’s sounding cucumber cool number from London formed duo Kit Martin and Merve Erdem, the pair bringing Turkish and French influences to the table. Martin perfectly sets you up for the knockout vocal of Erdem.

D5

Delta 5 – Mind Your Own Business

Leeds lot Delta 5 sounding box fresh in the year 2021, despite ‘Mind Your Own Business‘ coming out forty years ago! Hypnotic bass line make no mistake, this is such a rager.

Metronomy x Biig Piig – 405
(Posse EP Volume 1)

From an EP we’ve been positively rinsing since its release a month or two back, this sultry, 80’s sounding piece featuring the vocals of the brilliantly named Biig Piig has been swirling round my brainbox almost as much as the undeniable collab with Folly Group and Brian Nasty. The fact that Metronomy have now followed it up with the ludicrously catchy ‘It’s Good to be Back‘ is testament to them!

BODEGA – DOERS
(Broken Equipment)

Dynamite lead single from the forthcoming BODEGA record, ‘DOERS‘ takes about 40 seconds before you know you’re in good hands. An anthem for the 2021 pandemic crowd, the refrain of ‘Bitter, Harder, Fatter, Stressed Out‘ feels very relatable!

The Limiñanas – Migas 2000
(Down Underground)

Rocking shoulder-shuffler from French duo The Limiñanas, with a garage-rock vibe that makes you want to whack on a pair of black shades and light one up. Much in the same way that BODEGA sound like they’re from New York, The Limiñanas most definitely sound like they’re from France (the vocal helps…)

ST

Spill Tab – Anybody Else

As heard on that latest Metronomy EP, LA based French-Korean artist Claire Chicha creates perfect wonky pop as Spill Tab, with ‘Anybody Else‘ very much hitting the spot.

Future Islands – Peach

We’re still vibing off the latest record from Future Islands at Birthday Cake For Breakfast HQ, so it was a treat recently to discover this standalone single. I’ve always said they sound best when they’re moving at a clip and ‘Peach‘ is very much that brand from the quartet out of Baltimore.

SASAMI – Sorry Entertainer
(Squeeze)

Nails double-peddle nastiness from LA artist SASAMI and her newly announced album ‘Squeeze‘. Discovered here via the involvement of Patti Harrison (the star of multiple scenes in I Think You Should Leave), ‘Sorry Entertainer‘ is a ripper, a metal blast from the past that sounds gnarly as you like.

Mitski – Why Didn’t You Stop Me?
(Be The Cowboy)

Recent Mitski news resulted in some looking back to 2018’s ‘Be The Cowboy‘ and the terrific, hypnotising dance-y bop ‘Why Didn’t You Stop Me?‘. Love how much it builds and builds, leading to that fist in the air crescendo!

Ibibio Sound Machine – Electricity

Last month we were bigging up Ibibio Sound Machine and we find ourselves doing so once again this month off the back of their latest single, ‘Electricity‘. Recorded at the studio of Hot Chip, the collective were so keen on it that they wanted the world to know and we’re chuffed they did – yet another arse-shaker from the outfit.

The Gun Club – Death Party
(Death Party)

Raging garage punk banger from Yank lot The Gun Club. Love that yelped, almost unhinged vocal delivery from Jeffrey Lee Pierce. Proper sinks its teeth in this one, its repetition working you up so much you’re begging for another verse at its end.

Pigeon – Yagana
(Yagana)

Absolute disco-dance delight this, the work of Falle Nioke and members of SAULT, Soma World and Michael Kiwanuka’s band. The story goes the quintet got together in Margate after a visit to the pub, setting up an impromptu jam sesh that eventually led them to the business of ‘Yagana‘ (which translates to ‘It’s been a while‘), which was recorded in just one weekend. You’ll note Nioke has previously been seen round these parts, the vocalist moving to the UK from West Africa back in 2018 and coming to our attention through collaborations with sir Was and Ghost Culture.

Yagana

Like what you see? Why not stick around and check out the other articles and interviews!
Don’t forget to follow Birthday Cake For Breakfast on Facebook, Instagram and Twitter!